| Description |
298 pages ; 24 cm |
| Contents |
Images of the "reel: Shakespeare and the art of cinema / Lisa S. Starks and Courtney Lehmann -- Hamlet in silence: reinventing the prince on celluloid / Kenneth S. Rothwell -- "Two of both kinds": modernism and patriarchy in Peter Hall's A midsummer night's dream / Peter S. Donaldson -- Cinema hysterica passio: voice and gaze in Jean-Luc Godard's King Lear / Alan Walworth -- The incorporation of word as image in Peter Greenaway's Prospero's books / Lia M. Hotchkiss -- Cinema of cruelty: powers of horror in Julie Taymor's Titus / Lisa S. Starks -- Untimely ripped: mediating witchcraft in Polanski and Shakespeare / Bryan Reynolds -- Utopian revisioning of Falstaff's tavern world: Orson Welles's Chimes at midnight and Gus Van Sant's My own private Idaho / Kathy M. Howlett -- Shakespeare, Branagh, and the "queer traitor": close encounters in the Shakespearean classroom / Douglas E. Green -- The screening of the shrews: teaching (against) Shakespeare's author function / John Brett Mischo -- The reel Shakespeare: a selective bibliography of criticism / Jose Ramón Diaz-Fernandez |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Shakespeare, William, 1564-1616 -- Film adaptations.
|
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Shakespeare, William, 1564-1616 -- Television adaptations.
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English drama -- Filmand video adaptations
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Film adaptations -- History and criticism.
|
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English drama -- Film adaptations.
|
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Film adaptations.
|
| Genre/Form |
Film adaptations.
|
| Author |
Lehmann, Courtney, 1969-
|
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Starks-Estes, Lisa S., 1960-
|
| LC no. |
2002024135 |
| ISBN |
0838639399 alkaline paper |
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