| Description |
xii, 251 pages ; 24 cm |
| Series |
Ashgate popular and folk music series |
|
Ashgate popular and folk music series.
|
| Contents |
Positions. National identity and music in transition : issues of authenticity in a global setting / John O'Flynn ; Where does world music come from? globalization, Afropop and the question of cultural identity / David Murphy -- Locations. Voicing risk : migration, transgression and relocation in Spanish/Moroccan raï / Parvati Nair ; Banda, a new sound from the barrios of Los Angeles : transmigration and transcultural production / Helena Simonett ; Rapping at the margins : musical constructions of identities in contemporary France / Brian George ; The quest for national unity in Uyghur popular song : barren chickens, stray dogs, fake immortals and thieves / Joanne Smith ; The singer and the mask : voices of Brazil in Antonio Nóbrega's Madeira que cupim não rói / Robin Warner and Regina Nascimento ; Popular music, tradition and Serbian nationalism / Rob Hudson ; Those Norwegians : deconstructing the nation in Europe through fixity and indifference in Norwegian club music / Stan Hawkins |
| Bibliography |
Discography |
|
Filmography |
|
Includes bibliographical references and index |
| Subject |
Popular music -- Social aspects.
|
|
Popular music -- Political aspects.
|
|
Popular culture.
|
|
Music and globalization.
|
| Author |
Biddle, Ian D.
|
|
Knights, Vanessa.
|
| LC no. |
2006005310 |
| ISBN |
0754640558 (alk. paper) |
|
