Description |
1 online resource (x, 344 pages) |
Series |
Toronto Italian studies |
|
Toronto Italian studies.
|
Contents |
From Word to Image -- Overreaching Boundaries -- Of Fantasy Images and Visual Patterns -- Imagism: New Ways of Seeing -- Real Images and Fantasy Imaginings -- Personal Re-memberings -- From Image to Word -- A Verbal Order to Visual Chaos -- Cosmicomics -- 'L'origine degli Uccelli' -- Visually Potentializing Literature -- St George and St Jerome -- Variations on a Theme -- Vision and the Validity of Understanding -- Writing as Description -- Writing as Eskesis -- Verbal Order to Visual Chaos -- Mapping the Seeable and Sayable -- Mapping Internal Geography -- If on a winter's night a traveller ... following a map ... discovers a painter's studio -- Squaring the Text -- The World's Seamless Web -- Writing with Art -- Thinking of Art -- Stealing from Art -- Painted Stories and Novel Spaces -- Writing and Painting -- Valerio Adami -- Domenico Gnoli -- Giorgio De Chirico City -- Conclusion: A New Point of Departure |
Summary |
Ricci's book ranges widely over Calvino's oeuvre to illustrate the accuracy of the idea articulated by Calvino himself that a visual image lies at the origin of all his narrative |
Bibliography |
Includes bibliographical references (pages 321-335) and index |
Notes |
Print version record |
Subject |
Calvino, Italo -- Criticism and interpretation
|
SUBJECT |
Calvino, Italo fast |
|
Calvino, Italo -- Ästhetik und Poetik. idsbb |
|
Calvino, Italo -- Werk. idszbz |
|
Calvino, Italo, 1923-1985 -- analys och tolkning. sao |
Subject |
LITERARY CRITICISM -- European -- Italian.
|
Genre/Form |
Electronic books
|
|
e-books.
|
|
Criticism, interpretation, etc.
|
|
Livres numériques.
|
Form |
Electronic book
|
ISBN |
9781442678231 |
|
1442678232 |
|