| Description |
1 online resource (xv, 381 pages) |
| Series |
Modernist literature & culture |
|
Modernist literature & culture.
|
| Contents |
Portraits of the modernist as copywright -- Melodic properties of the culture system -- The fall and rise of remix culture -- Regimes of attribution and publicity -- Biography, privacy, and copyright -- Calving the wind -- Modernism after modernism |
| Summary |
How was modernism shaped, from its beginning, by intellectual property law? What role did the law's imperial and transatlantic asymmetries play in modernism's dissemination? How did various modernists exploit, reform, anoint, and evade copyright? And how is the study of modernism today being affected by expanding copyright regimes? Modernism and Copyright is the first book to take up these questions. A truly multi-disciplinary study, it brings together essays by scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates |
| Analysis |
opphavsrett |
|
storbritannia |
|
modernisme |
| Bibliography |
Includes bibliographical references (pages 339-358) and index |
| Notes |
Print version record |
| Subject |
Copyright.
|
|
Copyright -- Great Britain
|
|
Modernism (Literature)
|
|
Law and literature.
|
|
Copyright
|
|
copyright.
|
|
LAW -- Intellectual Property -- Copyright.
|
|
Copyright
|
|
Law and literature
|
|
Modernism (Literature)
|
|
Great Britain
|
| Form |
Electronic book
|
| Author |
Saint-Amour, Paul K.
|
| ISBN |
9780199742035 |
|
0199742030 |
|
1282901044 |
|
9781282901049 |
|
