| Description |
1 online resource (xix, 225 pages) : illustrations |
| Contents |
Setting the Scene -- Portrait of an Artist as Film-Maker -- Rashomon: The Problem of Subjectivity -- Remaking Rashomon: From Subjectivity to "the" Truth -- The Battle of the Sexes: Or, the One Scenario When Subjectivity is Acceptable -- Permutations on the Theme of Murder: The Search for Solutions -- And on Television -- A Short Interval -- The Group Western -- The Lone Hero -- Cloning Kurosawa |
| Summary |
Through the lens of Akira Kurosawa's films, Martinez dissects the human tendency to make connections in a pioneering attempt to build a bridge out of diverse materials: the anthropology of Japan, film studies, and postmodern theory |
| Bibliography |
Includes bibliographical references (pages 195-210) and index |
| Notes |
Print version record |
| Subject |
Kurosawa, Akira, 1910-1998 -- Criticism and interpretation
|
| SUBJECT |
Kurosawa, Akira, 1910-1998 fast |
|
Kurosawa, Akira. swd |
| Subject |
Film remakes -- History and criticism
|
|
PERFORMING ARTS -- Film & Video -- Direction & Production.
|
|
Film remakes
|
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Film
|
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Performing Arts.
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9780230621671 |
|
0230621678 |
|
0312293585 |
|
9780312293581 |
|
