Introduction: Producing a National Cinema, a Woman's Cinema -- 1 Nationalizing Sense Perception: Bahram Bayza'i -- 2 Cleansing Vision: Abbas Kiarostami, Le Secret Magnifique -- 3 Negative Aesthetics: Post-Revolutionary Iranian Cinema and 1970s Feminist Film Theory
Summary
An analysis of post-revolutionary Iranian cinema in relation to gender and nation
Bibliography
Includes bibliographical references and index
Notes
English
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