| Description |
1 online resource (xxv, 221 pages) |
| Contents |
ACKNOWLEDGMENTS; INTRODUCTION; KEY; Chapter 1. THE PETRIFIED FOREST (Warner Bros., 1936); Chapter 2. BULLETS OR BALLOTS (First National/Warner Bros., 1936); Chapter 3. BLACK LEGION (Warner Bros., 1937); Chapter 4. MARKED WOMAN (First National/ Warner Bros., 1937); Chapter 5. KID GALAHAD (Warner Bros., 1937); Chapter 6. DEAD END (United Artists/Samuel Goldwyn, 1937); Chapter 7. THE AMAZING DR. CLITTERHOUSE (First National/Warner Bros., 1938); Chapter 8. THE ROARING TWENTIES (Warner Bros., 1939); Chapter 9. IT ALL CAME TRUE (Warner Bros./First National, 1940) |
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Chapter 10. THEY DRIVE BY NIGHT (Warner Bros./First National, 1940)Chapter 11. HIGH SIERRA (Warner Bros./First National, 1941); Chapter 12. THE MALTESE FALCON (Warner Bros./First National, 1941); Chapter 13. ALL THROUGH THE NIGHT (Warner Bros./First National, 1942); Chapter 14. ACROSS THE PACIFIC (Warner Bros./First National, 1942); Chapter 15. CASABLANCA (Warner Bros./First National, 1942); Chapter 16. ACTION IN THE NORTH ATLANTIC (Warner Bros./First National, 1943); Chapter 17. SAHARA (Columbia Pictures, 1943); Chapter 18. PASSAGE TO MARSEILLE (Warner Bros./First National, 1944) |
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Chapter 19. TO HAVE AND HAVE NOT (Warner Bros./First National, 1944)Chapter 20. THE BIG SLEEP (Warner Bros./First National, 1946); Chapter 21. DEAD RECKONING (Columbia Pictures, 1947); Chapter 22. DARK PASSAGE (Warner Bros./First National, 1947); Chapter 23. THE TREASURE OF SIERRA MADRE (Warner Bros./First National, 1948); Chapter 24. KEY LARGO (Warner Bros./First National, 1948); Chapter 25. KNOCK ON ANY DOOR (Santana Productions, 1949); Chapter 26. TOKYO JOE (Santana Productions, 1949); Chapter 27. IN A LONELY PLACE (Santana Productions, 1950) |
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Chapter 28. SIROCCO (Santana Productions, 1951)Chapter 29. THE AFRICAN QUEEN (Horizon-Romulus Productions, 1951); Chapter 30. THE ENFORCER (United States Pictures/Warner Bros., 1951); Chapter 31. BATTLE CIRCUS (MGM, 1953); Chapter 32. BEAT THE DEVIL (Santana-Romulus Productions, 1954); Chapter 33. THE CAINE MUTINY (Stanley Kramer Productions, 1954); Chapter 34. SABRINA (Paramount Pictures, 1954); Chapter 35. THE BAREFOOT CONTESSA (United Artists, 1954); Chapter 36. THE LEFT HAND OF GOD (20th Century Fox, 1955); Chapter 37. THE DESPERATE HOURS (Paramount Pictures, 1955) |
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Chapter 38. THE HARDER THEY FALL (Columbia Pictures, 1956)FILMOGRAPHY; NOTES; BIBLIOGRAPHY; INDEX; ABOUT THE AUTHOR |
| Summary |
This book looks at approximately 45 of the best movies featuring screen icon Humphrey Bogart, from his early films as a second lead to his starring roles in such classics as The Maltese Falcon, Casablanca, The Treasure of the Sierra Madre, and The African Queen |
| Bibliography |
Includes bibliographical references (pages 211-212), filmography (pages 197-200) and index |
| Notes |
Print version record and CIP data provided by publisher; resource not viewed |
| Subject |
Bogart, Humphrey, 1899-1957 -- Criticism and interpretation
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| SUBJECT |
Bogart, Humphrey, 1899-1957 fast |
| Subject |
PERFORMING ARTS -- Reference.
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| LC no. |
2021677121 |
| ISBN |
9781442260948 |
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1442260947 |
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