| Description |
1 online resource |
| Series |
Pasó por aquí series on the Nuevomexicano literary heritage |
| Contents |
Front Cover; Title Page; Copyright; Contents; Acknowledgments; Introduction; 1: Transgression: María Luisa Bemberg's Camila and Yo, la peor de todas; 2: Isolation: Lucía Puenzo's XXY and El niño pez; 3: Female Solidarity: The Films of María Novaro; PLATES; 4: The Female Body as Spectacle: Dana Rotberg's Ángel de fuego and La mujer del pueblo: Otilia Rauda; 5: Parallelism: Carmen Luz Parot's Estadio Nacional; 6: Escape: Alicia Scherson's Play; 7: Urban and Inner Lives: The Films of Suzana Amaral |
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8: Being Brazilian: National Identity in Tizuka Yamasaki's Gaijin: Caminhos da Liberdade and Gaijin: Ama-me como souConclusion; Notes; Filmography; Bibliography; Index; Back Cover |
| Summary |
"Women are noticeably marginalized from the Latin American film industry, with lower budgets and inadequate distribution, and they often rely on their creativity to make more interesting films. This book highlights the voices and stories of some of these directors from Brazil, Chile, Argentina, and Mexico. Roberts-Camps's insightful exploration is the most broad-ranging account of its kind, making the book relevant to the study of literature as well as film."-- Provided by publisher |
| Bibliography |
Includes bibliographical references (pages 163-171), filmography (page 161), and index |
| Notes |
Print version record and CIP data provided by publisher; resource not viewed |
| Subject |
Motion pictures and women -- Latin America.
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Motion pictures -- Latin America.
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Women in the motion picture industry -- Latin America.
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Women motion picture producers and directors -- Latin America.
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| Form |
Electronic book
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| LC no. |
2016056130 |
| ISBN |
0826358284 (electronic bk.) |
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9780826358288 (electronic bk.) |
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(hardback) |
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