| Description |
1 online resource (127 p.) |
| Contents |
Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Foreword -- Preface -- Acknowledgements -- Introduction -- Difference -- 1 Law's monsters: the hopeful undecidability of David Bowie -- Introduction -- A monster framework -- The hopefulness of monsters -- Bowie as hopeful monster -- Bowie and gender/sexual ambiguity -- Conclusion -- Authenticity -- 2 Authenticity: what a drag! -- Introduction -- On authenticity -- Subverting (artistic) authenticity -- Conclusion -- Ethics -- 3 'Flirting' with fascism: the Thin White Duke, art and ethical limits -- Introduction |
|
An ethical framework for evaluating artworks -- The Thin White Duke and fascism -- Judging Bowie's artwork -- Conclusion -- Art -- 4 Cutting up the laws of writing: the Burroughs effect -- Introduction -- Cutting up Burroughs -- Before Burroughs: the dreamscape -- After Burroughs: accelerating the process -- Diamond Dogs -- Conclusion -- Love -- 5 Bowie love: beyond law -- Introduction -- Escaping necessity -- Love as letting go -- Love as humility -- Love as posthuman -- References -- Index |
| Notes |
Description based upon print version of record |
| Subject |
Bowie, David -- Criticism and interpretation
|
| SUBJECT |
Bowie, David. fast (OCoLC)fst00079977 |
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9781000480573 |
|
1000480577 |
|
