Translation and the witness text -- Making translation visible -- Elie Wiesel's night: Searching for the original -- Translation, the Cold War, and repressed memory: Vasily Grossman's The Hell of Treblinka and Anatoli Kuznetsov's Babii Yar -- Self-Translation and the language of the perpetrators: Krystyna zywulska's Auschwitz testimony -- Filip Muller's Sonderkommando testimonies: Witnessing in translation
Summary
Shows how making translation and its effects visible contributes to a clearer understanding of how knowledge about the Holocaust has been and continues to be created and mediated
