Title Essays on the eighteenth-century English stage / edited by Kenneth Richards and Peter Thomson

Published Abingdon, Oxon ; New York, NY : Routledge, 2020 ©1972

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Description 1 online resource (193 pages, 8 unnumbered pages of plates) : illustrations, maps Series Routledge Library Editions : 18th century literature ; volume 11 Contents 1 Terence and Steele -- 2 The Songs and Tunes in Henry Fielding's Ballad Operas -- 3 'The Just Delineation of the Passions': Theories of Acting in the Age of Garrick -- 4 William Powell : a Forgotten Star -- 5 John Rich's Contribution to the Eighteenth-Century London Stage -- 6 Thomas Harris and the Covent Garden Theatre -- 7 George Frederick Cooke : the Actor and the Man 8 Stephen Kemble's Management of the Theatre Royal, Newcastle upon Tyne -- 9 John Philip Kemble's 'King Lear' of 1795 -- 10 Landscape in English Scenery in the Eighteenth Century -- 11 Sir James Thornhill and the Theatre Royal, Drury Lane, 1705 -- Plates Summary The eighteenth century produced more inventive actors than fine dramatists, and it displayed its actors to increasing advantage as theatre management became more expert, and stage design more ambitious. First published in 1972, the eleven papers collected in The Eighteenth-Century English Stage, originally read at a Manchester University Symposium in July 1971, follow this historical emphasis. Two papers are centred on dramatists, four on actors, three on managers, and two on designers. Malcolm Kelsall analyses Steele's debt to Terence, using his classical scholarship as illuminatingly as Edgar Roberts uses his musical scholarship in writing about the songs in Fielding's plays. George Taylor compares and evaluates a number of theories of acting, and speculates on the likely relevance of the best-known books on rhetoric, whilst Kathleen Barker, Arnold Hare, and David Rostron consider the work of individual actors - Powell, Cooke, and John Kemble. Theatre managers are represented by John Rich in Paul Sawyer's sympathetic account, Thomas Harris, who is given new life in the recent researches of Cecil Price, and Stephen Kemble, fixed by Kenneth Robinson in canny control of the Newcastle theatre circuit. Finally, Graham Barlow reaches some controversial conclusions about the dimensions of the Theatre Royal, Drury Lane, by subjecting Thornhill's sketches to a practising designer's statistical examination, and Sybil Rosenfeld carries a stage further her pioneering work on eighteenth-century scene-painting and design. The two last are attractively illustrated by 8 pages of plates. This book's particular value lies in its bringing together several simply presented but deeply informed explorations of often neglected aspects of the eighteenth-century theatre. The papers, with their general sense of enthusiasm and concern for their subject, will interest all students of the eighteenth century, and theatre enthusiasts in particular Notes "Proceedings of a symposium sponsored by the Manchester University Department of Drama"--Title verso Originally published by Methuen & Co Ltd, 11 New Fetter Lane, London EC4P 4EE (1972) Bibliography Includes bibliographical references Notes Online resource; title from digital title page (viewed on May 21, 2021) Subject Theater -- England -- History -- 18th century -- Congresses Theater -- England -- History and criticism -- 18th century LITERARY CRITICISM -- General. Theater England Genre/Form Criticism, interpretation, etc. Conference papers and proceedings History Form Electronic book Author Richards, Kenneth, editor Thomson, Peter, editor ISBN 9781000030822 1000030822 9781003010111 1003010113 9781000030860 1000030865 9781000030846 1000030849

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