| Description |
1 online resource (189 p.) |
| Contents |
Intro -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Chapter 1: Why We Paint -- Introduction -- Why We Paint -- How to Use This Text -- Chapter 2: Your Studio -- Your Studio Workspace -- Building a Productive Workspace -- Time Management in the Studio -- Ergonomics and Arranging Your Studio -- Work Posture -- Repetitive Stress Injury -- Eye Strain -- Studio Lighting -- Hardware -- Selecting Your Input Device: Connected Drawing Tablets Versus Standalone Drawing Tablets -- Connected Drawing Tablets -- Connected Drawing Tablet Advantages |
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Connected Drawing Tablet Disadvantages -- Standalone Drawing Tablet Hardware: iPads, Android Tablets, Pen Computers, Windows Surface Tablets, and Other Touchscreen Devices -- Standalone Drawing Tablet Advantages -- Standalone Drawing Tablet Disadvantages -- The Stylus and the Surface -- Selecting Your Computer -- Specific Considerations for Portable Computers -- Selecting Hardware Based on Software System Requirements -- Maintenance -- Knowing When to Replace Your Device -- Software -- Adobe Photoshop -- Adobe Fresco -- Procreate -- Clip Studio -- Corel Painter -- Other Software |
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Further Resources -- References -- Chapter 3: Configuring Your Digital Workspace -- Configuring Software for Digital Painting -- Formatting Your Digital Painting File -- Paper Sizes and Resolution -- Digital Color Theory -- RGB and CMYK Color Modes -- Color Conversion and Soft Proofing -- Common File Types -- Presets and Templates -- Presets -- Templates -- Menus and Palettes -- The Essential Menus and Palettes -- Additional Settings -- Shortcuts and Hotkeys -- Interface Colors -- Saving Layouts -- Memory Cache -- Undo Settings -- Libraries -- Eliminating Digital Distractions -- Saving Your Work |
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File Names -- File Organization -- Chapter 4: Working with Layers -- The Concept of Layers -- Setting Up and Using Layers -- Layer Locks and Clipping Masks -- Layer Masks -- Layer Blend Modes -- Normal* (Normal) -- Dissolve (Normal) -- Darken (Darken) -- Multiply* (Darken) -- Color Burn (Darken) -- Linear Burn (Darken) -- Darker Color (Darken) -- Lighten (Lighten) -- Screen (Lighten) -- Color Dodge (Lighten) -- Linear Dodge/Add* (Lighten) -- Lighter Color (Lighten) -- Overlay* (Contrast) -- Soft Light (Contrast) -- Hard Light (Contrast) -- Vivid Light (Contrast) -- Linear Light (Contrast) |
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Pin Light (Contrast) -- Hard Mix (Contrast) -- Difference (Inversion) -- Exclusion (Inversion) -- Subtract (Inversion) -- Divide (Inversion) -- Hue (Component) -- Saturation (Component) -- Color* (Component) -- Luminosity (Component) -- Adjustment Layers -- Layer Composites -- Layers and Collaboration -- Naming, Grouping, and Merging Layers -- Chapter 5: Digital Art Supplies -- Digital Brush Mechanics -- Adjusting Brush Settings -- Toolbar Brush Settings -- Brush Settings Menu -- Building Brushes -- Basic Mechanics of Brush Construction -- Scatter Brush -- Grayscale/Mixed Opacity Brush |
| Notes |
Description based upon print version of record |
|
Repeating Patterns and Brushes |
| Form |
Electronic book
|
| ISBN |
9781003826989 |
|
1003826989 |
|
