Introduction : real fictions of race and textuality -- Passing (on) textual history : the ends of Nella Larsen's Passing -- Black page, white copyright : the politics of print in Ishmael Reed's Mumbo jumbo -- Gwendolyn Brooks's bibliographical Blackness -- Toni Morrison, Oprah Winfrey, and postmodern popular audiences -- Juneteenth as a textual and racial fragment -- Conclusion : race, history, and editorial ethics
Summary
"In this book, John K. Young presents the first book-length application of editorial theory to African American literature. Focusing on the manuscripts, drafts, book covers, colophons, and advertisements that trace book production, Young expands upon the concept of socialized authorship and demonstrates how the study of publishinghistory and practice and African American literary criticism enrich each other."--Jacket
Analysis
Based on the author's thesis (Ph. D., Northwestern University, 1998)
Multi-User
Notes
Based on the author's thesis (Ph. D., Northwestern University, 1998)
Bibliography
Includes bibliographical references (pages 208-220) and index