| Description |
1 online resource (251 p.) |
| Series |
Routledge Research in Museum Studies |
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Routledge research in museum studies.
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| Contents |
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of figures -- List of contributors -- Acknowledgements -- Introduction: How lively objects disrupt disciplinary display -- Curating as applied new materialism -- Curating beyond disciplines -- Technologies of enchantment -- Situating liveliness: Australia and Canada -- Troublesome objects -- Metabolic objects -- Energetic objects -- Conclusion: Beware the curator -- Works cited -- Part I: Troublesome objects -- Chapter 1: Decolonising archives: Killing art to write its history |
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Works cited -- Chapter 2: Rendezvous with the Indigenous Art Collection: How to "raise a flag" -- A winning moment -- Dangling the carrot -- The proposal -- The collection -- Re:visiting -- On site -- Conclusion: flag raising -- Works Cited -- Chapter 3: Troublemakers in the museum: Robots, romance and the performance of liveliness -- Performing liveliness -- Curating energies -- The troublemakers -- Works cited -- Chapter 4: Curating data-driven information-based art: Outlive or let die -- Exhibition lives -- Work one: Stutterer by Thomson & Craighead |
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Work two: Becoming.A(Thing) by Špela Petrič and Miha Turšič -- Work three: Para-site-seeing by Jen Southern and Rod Dillon -- Work four: Spirit Molecule I by Heather Dewey-Hagborg and Phillip Andrew Lewis -- Conclusion -- Works cited -- Part II: Metabolizing objects -- Chapter 5: Digesting institutional critique -- Under the table -- Eating and digestion -- Registration -- Doctrines -- Systems -- Conclusion: indigestion and exiting -- Works cited -- Chapter 6: Curatorial care and the lively materials of biomedical art -- Lively materials: from bio- to biomedical art |
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Curatorial care for the extended body -- Entanglement and biomedical art -- The artist as patient: networks of care -- Life, death and between -- Conclusion: beyond the limits of life -- Works cited -- Chapter 7: Living and semi-living artefacts on display: The monster that therefore is a living epistemic thing -- Hybrids on display: Biomess and Futile Labor as case studies -- Beyond objecthood -- To not abandon the monsters -- Conclusion -- Works cited -- Chapter 8: Troubling (natural) history: Bonnie Devine, Mark Dion, and Musée de la Chasse et de la Nature -- Musée de la Chasse et de la Nature |
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Mark Dion: The Life of a Dead Tree -- Bonnie Devine, Battle for the Woodlands: Anishinaabitude and La Rábida, Soul of Conquest: An Anishinaabe Encounter -- Conclusion -- Works cited -- Chapter 9: Social objects, art, and agriculture -- Coral and sugar -- Sunflowers and soil -- Labour and hats -- Works cited -- Part III: Energetic objects -- Chapter 10: Mineral materialities in contemporary art: Between intra-action, discursive magic and grief -- Works cited -- Chapter 11: Objects, energies and curating resonance across disciplines -- Objects and energies -- Gravity (and Wonder) -- Human non Human |
| Notes |
Description based upon print version of record |
|
Works cited |
| Form |
Electronic book
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| Author |
Seck Langill, Caroline
|
| ISBN |
9780429622984 |
|
0429622988 |
|
