| Description |
1 online resource |
| Contents |
Front Matter -- Contents -- List of figures -- List of web links -- Notes on contributors -- Acknowledgements -- Introduction: Human Perception and Digital Information Technologies -- Animation and Consciousness -- Pastures New: Atmospheres, Mud, and Moods -- The Neurodynamics of Technically Mediated Motion: Perceptual vs. Conceptual Animation in Artworks of Nam June Paik and Bill Viola -- Moving Images and Human Perception: Affect in Hand-Drawn Animation and Computer-Generated Imagery -- New Punctums, Proto-Perceptions, and Animated Entanglements -- Affective Experience and Expression -- On Pixar's Marvellous Astonishment: When Synthetic Bodies Meet Photorealistic Worlds -- Player and Avatar in Motion: Affective Encounters -- Data Visualization: Space and Time -- Animation, Data, and the Plasticity of the Real: From the Military Survey of Scotland to Synthetic Training Environments -- Chronoclasm: Real-Time Data Animation -- Image Formation and Embodiment -- Deepfake Face-Swap Animations and Affect -- Deepfake Reality, Societies for Technical Feeling, and the Phenomenotechnics of Animation -- Index |
| Summary |
This ground-breaking collection explores the ways in which digital information technologies form and influence human perception and experience. Defying technological determinism, it takes on board discursive perspectives from humanities, bringing digital media, affect and body studies into conversation with one another |
| Notes |
Description based on online resource; title from digital title page (viewed on February 26, 2024) |
| Subject |
Human-computer interaction.
|
|
Perception.
|
|
Human body and technology.
|
|
SOCIAL SCIENCE / Technology Studies.
|
| Genre/Form |
Electronic books
|
| Form |
Electronic book
|
| Author |
Tamari, Tomoko, editor
|
| ISBN |
9781529226201 |
|
1529226201 |
|
