| Description |
1 online resource (281 p.) |
| Contents |
Intro -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- Chapter 1. The process of composing -- The role of the composer -- Key concepts -- The blending of old and new -- The art of compromise -- Mixing in the special sauce -- The arrangement matters -- The scope of digital orchestration -- Chapter 2. The instruments -- The traditional orchestra -- Flute -- Oboe/English horn -- Clarinet -- Saxophone -- Bassoon -- Horn -- Trumpet -- Trombone -- Tuba -- Harp -- Piano -- Organ -- Guitar -- Percussion -- Strings -- Orchestral instrument libraries |
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Categories -- Sub-categories -- Scenarios -- Scenario 1: quick mock-up -- Practical application -- Scenario 2: stylized sound -- Practical application -- Scenario 3: traditional orchestration with realism -- Practical application -- Scenario 4: Larger than life -- Practical application -- Scenario 5: Synthesizers -- East West library example -- Content -- Lingo -- Trial and error -- The ultimate compromise -- Chapter 3. Synthesis in orchestration -- Early instruments -- Mellotron -- Moog instruments -- Switched on Bach -- Additional instruments -- FM synthesis -- Early digital workstations |
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Emulators -- Improving samplers -- Digital audio workstations -- Subtractive synthesis -- Waveforms -- Overtones -- Recreating sounds -- Cello example -- Flute example -- Physical modeling -- Additional examples -- Modeled instrument -- Subtractive synthesis -- FM synthesis example -- Wave table synthesis -- Re-synthesis -- Summary -- Chapter 4. Performance tools -- Keyboard -- Categories of keyboards -- Sample select -- Expand-ability -- Built-in sounds -- Expressiveness -- Keyboard alternatives -- Non-note MIDI controllers -- Modulation Wheels -- Expert tip -- Foot Pedals -- Sustain pedal |
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Expression pedal -- Latching pedal switch -- Joysticks -- Expert tip -- Buttons, Faders, and Knobs -- Buttons -- Faders -- Knobs -- Breath Controllers -- Breath holding -- Airflow -- Hands-free control -- App Controllers -- Software set-up -- Latency -- Connections -- USB -- Benefits -- Weaknesses -- Troubleshooting -- 5-Pin MIDI -- Benefits -- Weaknesses -- Troubleshooting -- Bluetooth MIDI -- Benefits -- Weaknesses -- Troubleshooting -- WIFI -- IDAM+ -- Benefits -- Weaknesses -- Troubleshooting -- Most relevant examples -- Scenario 1: Touché -- Scenario 2: Hornberg HB1 |
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Scenario 3: Logic Remote app -- Scenario 4: Leap Motion -- Summary -- Chapter 5. MIDI techniques -- Recording MIDI -- Click-track -- Drawing tempo -- Tap tempo -- Tempo interpretation -- Tips for successful tempo interpretation -- Demonstration -- Other tempo tools -- Recording to a click -- Click sounds -- Monitoring requirements -- Latency -- Buffer size -- Delay compensation -- Low latency mode -- Freezing tracks -- Demonstration: -- Recording -- Recording modes -- Looping -- Take folders -- Merge mode -- Punching In/Out -- Slowing it down -- Recording without recording -- Step-entry |
| Notes |
Description based upon print version of record |
|
The biggest recording tip |
| Form |
Electronic book
|
| Author |
Matějů, Zbyněk
|
| ISBN |
9781000286991 |
|
1000286991 |
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