| Description |
1 online resource (503 p.) |
| Series |
Routledge Companions Series |
|
Routledge Companions Series
|
| Contents |
Cover -- Half Title -- Endorsements -- Title -- Copyright -- Dedication -- Contents -- List of Contributors -- Foreword -- Acknowledgments -- Framing Latine Theatre and Performance -- Part I Latine Identities -- 1 Make Your Heart Your Face -- 2 Translating the Literal and Metaphorical Languages of Theatrical Make-Believe -- 3 Down the Yellow Brick Road to Querencia: Brian Quijada's Somewhere Over the Border -- 4 Laughter for Liberation: Latine Comedy in the US American Theatre -- 5 Luisa Capetillo: A Beautiful Anarchy -- 6 A Good Light: Making the Most of Our Spotlights -- 7 Ode to Identity |
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8 The Struggles and Successes of Building an Inclusive Arts/Activist Community on the Border -- 9 Discussing Intersectionality of AfroLatinidad in Entertainment and Performance -- 10 Permission -- Part II History/Presence -- 11 Latinx Presence in the New York Downtown Arts Scenes, 1963-1975 -- 12 "Quinto Festival de Teatros Chicanos -- Primer Encuentro Latinoamericano: Un Continente, Una Cultura Por Un Teatro Libre y Para la Liberación": The Vision, the Plan, the Event -- 13 From Latin Cigar Factory Workers/Actors to Latine Pulitzers: Latine Theater in Florida -- 14 Latine Theater in Miami |
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15 La Rose: Broadway, 1906, and San Juan Bautista, 1981 -- 16 Fornésian Dreamscapes: Navigating Queer World-Making -- 17 Su Teatro: Original Sinners and Institution Builders -- 18 Pregones/PRTT: Lighting the Spark -- For the Love of Theater -- 19 He Is the Man That I Am: Nightlife and Legacy in Marga Gomez's Latin Standards -- 20 Why Do We Exist? Theater and Placemaking Within Southern Arizona's Sonoran Heritage -- Part III Communities/Next Generation -- 21 Creating a Path in Higher Education When There Is None -- 22 Considering Diasporican Drama |
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23 Our Rituals, Our Process: A Conversation With Migdalia Cruz -- 24 Topology and the Dramatic Writer -- 25 Resisting Relapse: Positive Identity and Empowerment for Youth on the Frontera -- 26 The New Old Sound: A Worksheet Manifesto -- 27 Yana Wana: A Dramatic Call to Action for Indigenous Latinx Youth in Texas -- 28 The Stranger and the City: Theatre, Democracy, Inclusion -- 29 Articulating a Complete Life: The Queer Pastorelas of Teatro Alebrijes -- Part IV World Making -- 30 Mi Cuenta -- 31 Jornaleros: Art, Labor, and Drama |
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32 Material Bodies and Object Vitality: Octavio Solis's Don Quixote and Quixote Nuevo -- 33 Racial Masquerade and Black Latinidades in Rachel Lynett's Black Mexican -- 34 Tú eres mi otro yo: The Ecodramaturgy of José Cruz González -- 35 Dancing Migration: Trespassing, Borders, and Precarious Crossings in Silvana Cardell's Supper, People on the Move -- 36 Testimonio: Re-weaving Latinx Theatre in The Americas -- 37 El Silencio: A Chicana Perspective on Contemporary Latinx Theatre and Performance as Testimonio -- 38 Erased or Stereotyped: Latine Bisexual Representation in the American Theatre |
| Summary |
This book traces how manifestations of Latine self-determination in contemporary U.S. theatre and performance practices affirm the value of Latine life theatrical culture |
| Notes |
Description based upon print version of record |
|
39 Sonic Resistance and Resilience in Teatro Luna's Talking While Female and Other Dangerous Acts |
| Genre/Form |
Electronic books
|
| Form |
Electronic book
|
| Author |
Saltveit, Olga Sanchez
|
| ISBN |
9781003848103 |
|
1003848109 |
|
