| Description |
1 online resource (84 p.) |
| Contents |
Intro -- START -- COVER -- FOLIO PAGE -- PREFACE -- PAWLET BROOKES -- FROM PITTSBURGH TO PAVEMENT TO POSTMODERN GUMBO -- KYLE ABRAHAM -- REACTING, SHIFTING AND MOMENTUM -- ROBERT HYLTON -- HIP-HOP MY TEACHER -- IVAN BLACKSTOCK -- THE IMPACT OF IMPACT DANCE: HAKEEM ONIBUDO'S PRAXIS -- 'FUNMI ADEWOLE -- BREAKING IN THE THEATRE: A PERSONAL PERSPECTIVE -- NEFELI TSIOUTI -- FROM THE STREET TO THE STAGE: LINDY HOP AND CHARLESTON, THE ORIGINAL STREET DANCE FORMS -- JREENA GREEN AND ORSON NAVA -- WERKING THE TWERK: EMPOWERMENT OF THE BLACK FEMALE BODY -- TIA-MONIQUE UZOR |
|
A CURIOUS CHOREOMUSICAL CANON: EXPLORING RELATIONSHIPS BETWEEN MUSIC AND DANCE -- JO READ -- SOME LIKE IT HIP-HOP -- DANILO DJ WALDE -- TERMINOLOGY -- CONTRIBUTORS BIOGRAPHIES |
| Summary |
Exploring the origins, developments and collaborations that have shaped street dance, and how this has lead to the multiplicity of current dance styles |
| Notes |
Description based upon print version of record |
| Subject |
Black people in the performing arts
|
|
Race relations
|
|
Black people in the performing arts.
|
|
Race relations.
|
| Form |
Electronic book
|
| Author |
Abraham, Kyle
|
|
Adewole, 'Funmi
|
| ISBN |
9781916396548 |
|
1916396542 |
|
