| Description |
1 online resource (386 p.) |
| Series |
Toronto Iberic |
|
Toronto Iberic.
|
| Contents |
Cover -- Title Page -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- 1 Introduction: On Forewords and Historical Ghosts -- Part One -- Exiles in Literary History -- 2 Re-Engaging with Ghosts in the Poetic Machine -- 3 Writing the War, Re-Writing the Nation, Embodying the Voice of the People -- Part Two -- Exiles in Poetic Memory -- 4 Juan Ramón Jiménez: "Photography Is Death Itself" − Visionary Poetics, Ruins, and the Testimony of Antonio Machado |
|
5 Luis Cernuda: "Remember Him and Remember Him to Others" − Historical Memory, Self-Elegy, and Mythopoetic Figuration -- 6 Max Aub -- I. "Enclosed into Myself, Purblind, Mute" -- Margins of the Poetic "I" and Testimonial Memory -- II. Usurping the Apocryphal: Exilic Testimony, Cosmopolitan Memory, and National Culture (The Case of Antonio Muñoz Molina) -- 7 Tomás Segovia: "In Exile from Exile" − Nomadic Ethics and the Broken Language of Ghosts -- CODA: Antonio Machado's Afterlives and Memories of Spanish Literary History -- Notes -- Works Cited -- Index |
| Summary |
This Ghostly Poetry explores the fraught relationship between poetry and literary history in the context of the Spanish Civil War, its aftermath, and ongoing debates about historical memory in Spain |
| Notes |
Description based upon print version of record |
| Subject |
Exiles' writings, Spanish -- History and criticism
|
|
LITERARY CRITICISM / Poetry.
|
|
Exiles' writings, Spanish
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9781487518844 |
|
1487518846 |
|
