| Description |
1 online resource |
| Series |
Cross/cultures ; 178 |
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Cross/cultures ; 178.
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| Contents |
Reworlding Art History Encounters with Contemporary Southeast Asian Art after 1990; Copyright; Table of Contents; Acknowledgements; List of Illustrations; Preface: Departures; Prologue: Points of Entry; Frames, Axes: Art History's Temporalities and Spatialities; 'Worlding' from the Region; The Southeast Asian Regional Frame: A Critical Mapping; Cosmopolitan Intersections; Regional Intervention in 'The Contemporary'; Coordinates, Parameters, Trajectories: Between the Cultural and the Aesthetic; PART I PRELIMINARY ENCOUNTERS; 1 Contemporary 'Southeast Asian' Art: Regional Interventions |
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Why 'Southeast Asian' Contemporary Art?The Shifting Art-Historical Field for Southeast Asia: Tradition, Modernity, and 'the Contemporary'; Reworlding 'Contemporary Art'; Contemporary Southeast Asian Art: Between 'the Cultural' and 'the Aesthetic'; Encounters with Contemporary Southeast Asian Art: Oscillating Currents; Fluid Encounters I: Lani Maestro's a book thick of ocean; Fluid Encounters II: Yee I-Lann's Sulu Stories; PART II LOCATING SOUTHEAST ASIAN DIFFERENCE; 2 Mapping Regional Difference Institutionalized Cartographies of Southeast Asian Art; A Southeast Asian Regional Agency |
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Defining Southeast Asia: Contending with Maps of Colonial InheritanceTowards an Art History of Contemporary Southeast Asian Art; Institutional Perspectives: Locating Contemporary Southeast Asian Art through Regional Exhibitions and Collections; Alternative Art Spaces in Southeast Asia: From the Margins to the Centres of Contemporary Art; 'Territorializing' and 'Derritorializing' Regional Difference in the Art of Wong Hoy Cheong; 3 Exhibiting Southeast Asian Difference: Global and Regional Currents |
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Visible Difference: Asian Spectacles and Spectres in International Mega-Exhibitions of the 1990sArt and Anthropology: The Ethnographic Impulse; 'Global Art' Exhibition Precedents; Dilemmas of Representation: Shifting Asian Identities under Globalization; A "Journey Without Maps"?: En Route to the 'Third Asia-Pacific Triennial of Contemporary Art'; 'Traditions/Tensions': Figuring the 'Asian Contemporary' in Art; 'Cities on the Move':Tumultuous Visions of the Asian Metropolis; Interventions of Difference: The International Journeys of Lee Wen's Yellow Man |
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Shifting Curatorial Imaginaries for Asian Art: 'Under Construction' and '36 Ideas from Asia'Into the Twenty-First Century: Beyond Identitarian Art; PART III COUNTERPOINTS: SOUTHEAST ASIA IN PRACTICE; 4 Trans/Localities? Between Dwelling and Movement; Globalizing Currents; 'A Border Crosser with Good Ballast': The Consummate 'Hybrid' Artist, Heri Dono; Netscapes: tsunamii.net's Translocal-Locative Aesthetic; 'A Map to My Own Becoming': Judy Freya Sibayan's Nomadic Aesthetic; Simryn Gill's Moving Representations; 5 Memoryscapes: Present Pasts Revisioned |
| Summary |
Annotation Reworlding Art History highlights the significance of contemporary Southeast Asian art and artists, and their place in the globalized art world and the internationalizing field of contemporary art . In the light of the region s modern art history, the book surveys this relatively under-examined area of contemporary art which first found broad international recognition in the 1990s. Richly illustrated and incorporating cross-cultural and interdisciplinary methods, Reworlding Art History is a foundational reference work for those interested in Southeast Asia s contemporary art, including scholars of art history, Asian studies, curatorship, museology, visual culture, and anthropology, as well as professionals working in art and museum contexts." |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Art, Southeast Asian -- 20th century
|
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Art, Modern -- 20th century.
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Art, Modern
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Art, Southeast Asian
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| Form |
Electronic book
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| ISBN |
9789401211963 |
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9401211965 |
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