| Description |
1 online resource (vi, 186 pages) |
| Contents |
FC ; Half title; Title; Copyright; Contents; 1 This is not a remix; 1.1 Introduction; 1.2 Critical approach; 2 Copy, a brief history; 2.1 The ghost in the digital machine; 2.2 The trouble with media history; 2.3 "Again, back": Repetition and music's materiality; 3 The rhetoric of remix; 3.1 Remix as trope; 3.2 The extended remix: In the press; 3.3 The extended remix: Scholarly use; 3.4 Lawrence Lessig's "Remix Culture"; 3.5 Remix as resistance; 3.6 Why the history of remix matters; 4 Disco edits: Analog antecedents and network bias; 4.1 What a difference a record makes |
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4.2 Interrupting the rhetoric of remix4.3 Disco edits, a technical distinction; 4.4 Hang the DJ; 4.5 Walter Gibbons, the break, and the edits that made disco; 4.6 Let your body talk; 4.7 Are samples copies?; 4.8 Parasites, pirates, and permission; 4.9 Digital revival and an analog persistence; 4.10 Credit to the edit; 5 The new romantics; 5.1 Piracy's long history; 5.2 MP3 blogs as social media; 5.3 Material media: MP3 blogs as artifacts and practices; 5.4 Provenance as metadata; 5.5 Rethinking participation and the folk aesthetic; 5.6 Countercultures and anticommercialism |
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5.7 Networking authenticity5.8 Analog antecedents: Harry Smith's mystical collection; 5.9 Copies, networks, and a poetics of encounter; 6 Copies and the aesthetics of circulation; Acknowledgments; Bibliography; Index |
| Notes |
Online resource; title from digital title page (viewed on August 07, 2017) |
| Subject |
Remixes -- History and criticism
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Sound recordings -- Social aspects
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Popular music -- Social aspects
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Music and the Internet.
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Music recording & reproduction.
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Music industry.
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Music.
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MUSIC -- Instruction & Study -- Theory.
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Music and the Internet
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Popular music -- Social aspects
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Remixes
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Sound recordings -- Social aspects
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| LC no. |
2017013333 |
| ISBN |
9781501318931 |
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1501318934 |
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