| Description |
1 online resource (201 pages) |
| Contents |
Cover; Half Title; Title Page; Copyright Page; Table of Contents; Introduction; Studio: Initial Planning; The studio's function; Remote productions; Constructional considerations; Studio Facilities; Technical facilities; Production requirements; Post-production requirements; Layout of Control Areas; Location near the studio; Observation windows; Communal control area; Separate control areas; Studio Construction; Area, shape and height; Floor, walls and ceiling; Studio General Services; Access; Power and lighting; Studio markings and floor plan; Studio Sound Insulation; External noise |
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Sound leakageNoise from ventilation; Studio Acoustics; Acoustical treatment; Reverberation time; Required reverberation times; Studio Ventilation; Preventing heat build-up; General problems; Auxiliary requirements; Studio Scenery; Classifying colour; Surface treatment; Scenic storage and repair; Studio Cyclorama; The mobile eye; Cyc colour; Rear-lit eye; Care and storage; Technical Equipment Store; Lighting equipment; Camera cables; General storage; Make-up; Typical facilities; Monitoring and communication; Costume; Typical facilities; Costume suitability; Monitoring and communication |
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Equipment Maintenance AreaStorage; Test equipment; Lighting; Safety in the Studio; Fire; Electrical; Safety bonds; Tripping accidents; Lifting; Unstable items; The Vision System; Scanning; Interlace; Coding; Bandwidth; Choice of Camera System; Composite/component; Remote control; Camera sensitivity; Picture Generation; Sensor system: tube/CCD; Camera configuration; Resolution; Camera Lenses; Focal length and angle of view (horizontal); Lens aperture; Zoom lens; Choice of Lens; Minimum object distance; Macro; Maximum lens aperture; Range extenders; Servos; Camera Mountings; Tripod; Pedestal |
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Pan and tilt headSophisticated mountings; Camera Cables and Cabling Points; Cable care; Cabling points; Vision and Lighting Control Area; Control room position; Cabling; Operational considerations; Signal Processing (Camera Control Unit); Control features; Line-up of Camera Channels; Starting the day; Zoom tracking; Line-up charts; Vision Control; Lightweight cameras; Full-facility vision control; Monitoring the Vision Signal; The TV waveform; Signal levels; Picture Monitors: Monochrome; Monitor adjustment; Monitor termination; Monitor suitability; Picture Monitors: Colour; Monitor grades |
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Colour monitor line-upMonitor line-up test signals; Synchronisation; Picture timing; External picture sources; Vision Signal Distribution; Distribution amplifier; Termination panel; Cable distribution; Radio frequency distribution; Microwave links; Fibre optic links; Production Control Room; Picture monitors; Environment; Layout; Vision Mixer or Switcher: Function; Vision mixer design; What to look for; Vision Mixer: General Facilities; The cut; The mix or dissolve; The fade-up/fade-out; The superimposition; Preview facilities; Vision Mixer: Special Effects; The wipe; The split screen |
| Notes |
Chroma key |
|
Print version record |
| Form |
Electronic book
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| Author |
Boyce, Ed
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Angold-Stephens, Ken
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Talbot-Smith, Michael
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| ISBN |
9781136049866 |
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113604986X |
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