| Description |
1 online resource (681 p.) |
| Series |
Audio Engineering Society Presents Series |
|
Audio Engineering Society Presents Series
|
| Contents |
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgments -- Chapter 1 Introduction -- The Professional Studio Environment -- The Professional Recording Studio -- The Control Room -- The Project Studio -- Making the Project Studio Pay for Itself -- The Portable Studio -- The iRevolution -- The Retro Revolution -- The Changing Faces of the Music Studio Business -- Live/On-Location Recording: A Different Animal -- Audio for Video and Film -- Audio for Games -- The DJ -- The Times, They've Already Changed: Multimedia and the Web |
|
Power to the People! -- Whatever Works for You -- The People Who Make It All Happen -- The Artist -- Studio Musicians and Arrangers -- The Producer -- The Engineer -- Assistant Engineer -- Maintenance Engineer -- Mastering Engineer -- Studio Management -- Music Law -- Women and Minorities in the Industry -- Behind the Scenes -- Career Development -- Self-Motivation -- Networking: "Showing Up Is Huge" -- So, What Are Some Good Ways to Get Started? -- A Word on Professionalism -- In Conclusion -- Chapter 2 Sound and Hearing -- The Basics of Sound -- Waveform Characteristics -- Amplitude |
|
Frequency -- Frequency Response -- Velocity -- Wavelength -- Reflection of Sound -- Diffraction of Sound -- Phase -- Harmonic Content -- Envelope -- Loudness Levels: The Decibel -- Logarithmic Basics -- The Decibel -- Sound-Pressure Level -- Voltage -- Power -- The "Simple" Heart of the Matter -- The Ear -- Threshold of Hearing -- Threshold of Feeling -- Threshold of Pain -- Taking Care of Your Hearing -- Psychoacoustics -- Auditory Perception -- Beats -- Combination Tones -- Masking -- Perception of Direction -- Perception of Space -- Direct Sound -- Early Reflections -- Reverberation |
|
Chapter 3 Studio Acoustics and Design -- Studio Types -- The Professional Recording Studio -- The Audio-for-Visual and Media Production Environment -- The Audio-for-Gaming Production Environment -- The Project Studio -- Primary Factors Governing Studio and Control Room Acoustics -- Acoustic Isolation -- Walls -- Floors -- Risers -- Ceilings -- Windows and Doors -- ISO-Rooms and ISO-Booths -- Acoustic Partitions -- Noise Isolation Within the Control Room -- Symmetry in Control-Room Design -- Frequency Balance -- Reflections -- Absorption -- High-Frequency Absorption -- Low-Frequency Absorption |
|
Flexible Surfaces -- The Practical Side of Acoustics -- Symmetry -- 25/25/50 -- Speaker Placement -- Room Reflections and Acoustic Reverberation -- Acoustic Echo Chambers -- Chapter 4 Microphones: Design and Application -- Microphone Design -- The Dynamic Microphone -- The Ribbon Microphone -- Further Developments in Ribbon Technology -- The Condenser Microphone -- Powering a Condenser Mic -- External Power Supply -- Phantom Power -- The Electret-Condenser Microphone -- Microphone Characteristics -- Directional Response -- Frequency Response -- Transient Response -- Output Characteristics |
| Notes |
Description based upon print version of record |
|
Sensitivity Rating |
| Subject |
Sound -- Recording and reproducing.
|
|
Magnetic recorders and recording.
|
|
Digital audiotape recorders and recording.
|
|
Digital audiotape recorders and recording.
|
|
Magnetic recorders and recording.
|
|
Sound -- Recording and reproducing.
|
| Form |
Electronic book
|
| Author |
Caballero, Emiliano
|
|
Runstein, Robert E
|
| ISBN |
9781000926729 |
|
1000926729 |
|
