Description |
vii, 266 pages : illustrations ; 21 cm |
Contents |
Part one: Issues in film scores and sound design : Composing with a very wide pallette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech : I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism -- Genre talk -- Threads of voice ; Part three: Excursions in music and modernism: Reelin' in the years: cinematic documentation of American vernacular music -- The legacy of modernism: Peer Raben, film music and political after shock -- Sound music in the films of Alain Robbe-Grillet ; Part four: Histories of song and sound : Ornament, entrance and the theme song -- The raw and the coded: sound conventions and the transition of the talkies -- Nickelodeons and popular song |
Summary |
Cinesonic: the world of sound in film |
Analysis |
BURWELL, CARTER |
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CAREFUL (CN, Guy Maddin, 1992) |
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COEN, JOEL & ETHAN |
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COMPOSING |
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Fassbinder, Rainer Werner |
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HISTORY OF CINEMA. SOUND PERIOD |
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MUSIC, FILM |
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RABEN, PEER |
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ROBBE-GRILLET, ALAIN |
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SHORE, HOWARD |
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SOUND |
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SPEECH |
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SYNCHRONIZATION |
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VOICES |
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VOYEURISM AND THE CINEMA |
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WELLES, ORSON |
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WOMEN IN FILMS |
Notes |
Includes index |
Bibliography |
Includes bibliographical references and index |
Subject |
Motion picture music.
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Motion pictures -- Sound effects.
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Sound motion pictures.
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SUBJECT |
Australia. http://id.loc.gov/authorities/names/n79021326
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Author |
Brophy, Philip.
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Australian Film, Television & Radio School.
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LC no. |
00343349 |
ISBN |
187635108X |
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