| Description |
1 online resource |
| Series |
Routledge Research in Cultural and Media Studies |
|
Routledge research in cultural and media studies.
|
| Contents |
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Acknowledgments -- List of Contributors -- Introduction: Cinematic, Televisual, or Post-Serialities -- Part I: Serial Specificities -- 1.1 Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in Serial Cinema, 1936-2008 -- 1.2 Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic Mode, and Emotions -- 1.3 The Cinematic-Televisual: Rethinking Medium Specificity in Television's New Golden Age -- Part II: Marketing Seriality |
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2.1 A Forgotten Episode in the History of Hollywood Cinema, Television, and Seriality: The Case of the Mirisch Company -- 2.2 Diversions in the Hunger Games Film Series: The Fragmented Narrative of Hijacked Images -- 2.3 Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle -- Part III: Seriality and the Cinematic/Televisual Convergence -- 3.1 The (Re)Making of a Serial Killer: Replaying, "Preplaying," and Rewriting Hitchcock's Psycho in the Series Bates Motel -- 3.2 Fargo (FX, 2014-) and Cinema: "Just Like in the Movie"? |
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3.3 Screening Dreams: Twin Peaks, From the Series to the Film, Back again and Beyond -- Part IV: Meta-Serialities -- 4.1 In-Between Still and Moving Pictures: Series and Seriality in Stephen Poliakoff's Serial Drama Shooting the Past (1999) -- 4.2 "The Abominable Bride": Sherlock and Seriality -- 4.3 Subject Positions and Seriality in the Good Wife -- Index |
| Form |
Electronic book
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| Author |
Hudelet, Ariane, 1975- editor.
|
|
Cremieux, Anne, editor
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| ISBN |
9781000201253 |
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1000201252 |
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