| Description |
1 online resource (viii, 203 pages) : illustrations (black and white) |
| Contents |
Intro -- Title page -- Copyright -- Contents -- Figures -- Acknowledgments -- Note on Transliteration and Translation -- INTRODUCTION The Freest Man in the USSR -- CHAPTER 1 Alexander Sokurov's Demoted (1980): Consciousness as Celebration -- CHAPTER 2 Ivan Dykhovichnyi's The Black Monk (1988): Madness, Chekhov, and the Chimera of Idleness -- CHAPTER 3 Dmitry Mamuliya's Another Sky (2010): The Language of Consciousness -- CHAPTER 4 Alexei Balabanov's The Castle (1994) and Me Too (2012): Kafka, the Absurd, and the Death o |
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CHAPTER 5 Alexander Zeldovich's Target (2011): Tolstoy and Mamardashvili on the Infinite and the Ear -- CHAPTER 6 Vadim Abdrashitov and Alexander Mindadze's The Train Stopped (1982): Film as a Metaphor fo -- CONCLUSION Andrey Zvyagintsev's Loveless (2017): The Philosophical Image and the Possibilities of Fi -- Appendix -- Bibliography -- Index |
| Summary |
Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation - including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Print version record |
| Subject |
Mamardashvili, Merab
|
| SUBJECT |
Mamardashvili, Merab fast |
| Subject |
Motion pictures -- Russia (Federation) -- History
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Philosophy in motion pictures.
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HISTORY -- Europe -- Russia & the Former Soviet Union.
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Motion pictures
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Philosophy in motion pictures
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Russia (Federation)
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| Genre/Form |
History
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| Form |
Electronic book
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| ISBN |
9781474444507 |
|
1474444504 |
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1474444482 |
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9781474444484 |
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9781474444514 |
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1474444512 |
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