Description |
1 online resource (574 p.) |
Series |
New York Academy of Sciences Ser |
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New York Academy of Sciences Ser
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Contents |
Intro -- Title Page -- Table of Contents -- List of illustrations -- Preface -- Subject and Scope -- Approaches and Emphases -- Chronology -- Some Final Notes on Format and Content -- Acknowledgements -- 1 Beginnings and Before -- Sculpture and the Geometric Style -- Orientalizing and the Daedalic Style -- 2 The Search for Order -- The Birth of Marble Statuary in the Cyclades -- Samos and the East -- Athens and Attica -- Boeotia and the Peloponnese -- 3 Free-Standing Sculpture in the Later Sixth Century -- Korai and Kouroi: Stylistic Development -- Other Acropolis Dedications |
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The Meanings of Korai and Kouroi -- Bronze and Chryselephantine -- Grave and Other Reliefs -- 4 Sixth-Century Architectural Sculpture -- Early Doric Pediments -- Metopes -- Ionia, Delphi, and Athens: The Shift to Marble -- 5 The Change to Classical -- Architectural Sculpture -- The Late Archaic Acropolis: Marble Statuary -- Statuary in Bronze -- The Change to Classical: Evolution or Revolution? -- 6 The Temple of Zeus at Olympia -- The Temple of Zeus at Olympia -- The Impact of Olympia: Panhellenism and Early Classical Style -- 7 Classical Moment I -- The Building of the Parthenon -- The Metopes |
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The Frieze -- The Pediments -- The Program -- 8 Classical Moment II -- Myron and Realism -- Polyclitus and his Canon -- Phidias and Phantasia -- The Riace Warriors -- 9 Unfinished Business -- Unfinished Business I -- The Hephaesteum -- Unfinished Business II -- The Sanctuary of Athena Nike -- Sculptors of Victory and Defeat -- 10 An Attic Tragedy -- Unfinished Business III -- The Erechtheum, Alcamenes, and Autochthony -- Architectural Sculpture in the Peloponnese -- Funerary Relief Sculpture and the Peloponnesian War -- 11 Idealism and Individuality I -- Temple Sculpture |
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12 Idealism and Individuality II -- Sculptors -- Unattributed Originals -- Reliefs -- 13 Sculpture in Hellenistic Greece I -- Macedonian Taste -- The Derveni Crater -- Royal Portraiture -- The Legacy of Alexander and Lysippus -- Two Early Hellenistic Originals -- Change and Continuity in Early Hellenistic Sculpture -- 14 Sculpture in Hellenistic Greece II -- Sculpture and Classicism at the time of the Roman Conquest -- Hellenistic Sculpture as an Art of the Romans -- Three Case Studies -- Glossary -- References -- Further Reading -- General Works -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 |
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Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 8 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Timeline: History -- GEOMETRIC (900-700) -- ARCHAIC (700-480) -- EARLY/HIGH CLASSICAL (480-400) -- LATE CLASSICAL (400-323) -- HELLENISTIC (323-30) -- Timeline: Architectural Sculpture -- GEOMETRIC (900-700) -- ARCHAIC (700-480) -- EARLY/HIGH CLASSICAL (480-400) -- LATE CLASSICAL (400-323) -- HELLENISTIC (323-30) -- Timeline: Freestanding Sculpture -- GEOMETRIC (900-700) -- ARCHAIC (700-480) -- EARLY/HIGH CLASSICAL (480-400) -- LATE CLASSICAL (400-323) |
Notes |
Description based upon print version of record |
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HELLENISTIC (323-30) |
Genre/Form |
Electronic books
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Form |
Electronic book
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ISBN |
9781119115311 |
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1119115310 |
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