| Description |
1 online resource |
| Contents |
Intro -- WORLD CINEMA AND THE ESSAY FILM -- COPYRIGHT -- CONTENTS -- FIGURES -- ACKNOWLEDGEMENTS -- NOTES ON THE CONTRIBUTORS -- INTRODUCTION -- PART ONE CINEPHILIC DIALOGUES -- 1. THE ESSAY FILM AND ITS GLOBAL CONTEXTS -- 2. ESSAY FILMS ABOUT FILM -- PART TWO MOBILITIES AND MOVEMENTS -- 3. ACCENTED ESSAY FILMS -- 4. COTTONOPOLIS -- 5. THE WORLD ESSAY FILM AND THE POLITICS OF TRACEABILITY -- PART THREE LABORATORY OF MEMORIES -- 6. MEMORY AS A MOTOR OF IMAGES -- 7. 'TIME TURNING INTO SPACE' -- 8. LOVERS IN TIME -- PART FOUR LANDSCAPES OF TRAUMA -- 9. NO MAN'S ZONE -- 10. 'IMAGE-WRITING' |
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PART FIVE ARCHIVAL EFFECTS -- 11. INDIGENOUS AUSTRALIA AND THE ARCHIVE EFFECT -- 12. BETWEEN AUTOBIOGRAPHY, PERSONAL ARCHIVE AND MOURNING -- AFTERIMAGES: A PHOTO-ESSAY -- STRANGELY REAL -- INDEX |
| Summary |
World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Experimental films -- History and criticism
|
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24.31 theory and aesthetics of film art.
|
|
Performing Arts.
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Experimental films
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Performing Arts.
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| Author |
Hollweg, Brenda, editor
|
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Krstić, Igor, editor
|
| ISBN |
9781474429269 |
|
1474429262 |
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1474429246 |
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9781474429245 |
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9781474429276 |
|
1474429270 |
|
9781474464772 |
|
1474464777 |
|
