Introduction: Criticism from within -- Symptomologies of the state -- Paranoid readings and ambivalent allegories -- Faith without Fidel -- Staying and suspicion -- Montage in the parenthesis -- Coda: 'Cuba está de moda'
Summary
Laura-Zoë Humphreys tracks late-socialist Cuba's changing dynamics of social criticism and censorship through Cuban cinema and its cultural politics
Bibliography
Includes bibliographical references and index
Notes
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