Description |
xv, 257 pages : illustrations ; 23 cm |
Contents |
Pt. 1. Style in the Manuscript. Ch. 1. The Draft. Ch. 2. The Manuscript. Ch. 3. Titles, Captions, Legends. Ch. 4. Punctuation. Ch. 5. Numerals and Dates. Ch. 6. Spelling, Foreign Words, Abbreviations. Ch. 7. Documentation and Notes. Ch. 8. Discursive Notes. Ch. 9. Bibliography. Ch. 10. References in the Text. Ch. 11. Illustrative Material. Ch. 12. Printing. Ch. 13. The Thesis -- Pt. 2. Writing Skills. Ch. 14. Abstract, Paraphrase, Direct Quotation. Ch. 15. Organization of the Document. Ch. 16. Communication of Ideas: Words, Sentences, Paragraphs. Ch. 17. Control of Literary Style. Ch. 18. Kinds of Writing. Ch. 19. Writing for Publication -- Pt. 3. Combining Words and Music. Ch. 20. Words as Music. Ch. 21. Fundamentals of Music Notation. Ch. 22. Types of Scores. Ch. 23. The Nature of Musical Sources |
Summary |
"This Handbook, thoroughly Revised and Enlarged by Mark A. Radice from its Classic Predecessors by Demar Irvine, has been designed primarily as a guide for students writing papers or theses on musical subjects - but it is useful for anyone writing for publication about music. As well as dealing with the requirements of scholarly writing, from citation and documentation to the mechanics of punctuation and abbreviation, it also addresses the specific circumstances that arise in writing about music, such as the use of musical examples to supplement prose text. Above all, it is a sensible guide to good writing, presenting concrete suggestions for more effective communication of ideas."--BOOK JACKET |
Notes |
Rev. ed. of: Writing about music |
Bibliography |
Includes bibliographical references (page 248) and index |
Subject |
Musicology.
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Academic writing.
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Report writing.
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Author |
Pauly, Reinhard G.
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Radice, Mark A.
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LC no. |
98045510 |
ISBN |
1574670492 |
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