| Description |
1 online resource (322 pages) : color illustrations |
| Contents |
Into the saturated sensorium: introducing the principles of perception and mediation in the Middle Ages -- Sensorium: a model for medieval perception -- Incarnation: paradoxes of perception and mediation in medieval liturgical art -- Sanctity: the saint and the senses : the case of Bernard of Clairvaux -- Representation: courtly love as a problem of literary sense-representation -- Remediation: remediating medieval popular ballads in Scandinavian church paintings -- Devotion: perception as practice and body as devotion in late medieval piety -- Ritual: medieval liturgy and the senses: the case of the mandatum -- Environment: Embodiment and senses in eleventh- to thirteenth-century churches in southern Scandinavia -- Consumption: meals, miracles, and material culture in the later Middle Ages -- Memory: the sensory materiality of belief and understanding in late medieval Europe |
| Summary |
This book is about the senses and their media in the Middle Ages: a book about what it meant to sense and perceive something. The book highlights the integrated and unified nature of medieval senses and media. It discusses the inter- and multi-mediality of cultic and cultural artefacts as well as the sensorial and inter-sensorial dimensions of a wide array of cultural concepts and practices within medieval religion, art, archaeology, architecture, literature, music, food, social life, ritual, devotion, cognition, and memory. These domains of sensory and media history are dealt with, not as isolated anthology articles in only loose connection with one another, but as co-ordinate and comparative chapters of a coherent book each covering a principal branch of the cultural history of the medieval senses. Across a number of academic disciplines, specialists address the interdisciplinary and compound character of visus (sight), auditus (hearing), tactus (touch), olfactus (smell) and gustus (taste), showing that there was far more to the senses and to sense experience than these five classical Aristotelian categories might suggest. A plentiful variety of sensory modes interacted, crossed, and permeated each other in mutually entangled and braided ways. The saturated sensorium nurtured the sacred and secular practices of mediation, representation, and consumption; the embodied and mental concepts of sanctity, memory, and imagery; the physical and spiritual spaces of environment, cult, and burial; the material and visual culture of sacraments, sensation, and incarnation |
| Bibliography |
Includes bibliographical references (pages 275-302) and index |
| Notes |
Print version record |
| Subject |
Civilization, Medieval.
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Senses and sensation.
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Perception.
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Sensation
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Perception
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HISTORY / Medieval
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Civilization, Medieval
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Perception
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Senses and sensation
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| Form |
Electronic book
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| Author |
Jørgensen, Hans Henrik Lohfert, editor
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Laugerud, Henning, editor
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Skinnebach, Laura Katrine, editor
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| ISBN |
8771249613 |
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9788771249613 |
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