Introduction : "of being numerous" -- Plural worlds and Aztec-Chicano serial poetry : an emergent protest literature -- Alfred Arteaga and Francisco X. Alarcón : forms of fire and time in the poetic series -- Gods at the crossroads between the self and the world : radical polytheism in N.J. Loftis -- Nathaniel Mackey's agnostic history and "the creaking of the wheel" -- A bridge over worlds : James Thomas Stevens's plural-world particularism -- "A bridge is simple movement" -- Fears of a one-world language
Summary
This book reveals how poets within the U.S. multi-ethnic avant-garde give up the goal of narrating one comprehensive, rooted view of cultural reality in favor of constructing coherent accounts of relational, local selves and worlds