| Description |
1 online resource (ix, 253 pages) : illustrations (chiefly color) |
| Series |
Theatron, 0934-6252 ; Bd. 58 |
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Theatron (Tübingen, Germany) ; Bd. 58.
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| Contents |
Frontmatter -- Dank -- Inhaltsverzeichnis -- 1. Einleitung -- 2. Körperlichkeit in den frühen Bühnenkompositionen -- 3. Bewegung in den frühen Bühnenkompositionen -- 4. Analyse der frühen Bühnenkompositionen I bis IV -- 4.1. Hinweise zur Interpretationsmethode -- 4.2. Bühnenkomposition I Riesen und Vergleich zu Der gelbe Klang -- Eine Bühnenkomposition -- 4.3. Bühnenkomposition II Stimmen oder Grüner Klang -- 4.5. Bühnenkomposition IV Schwarze Figur -- 4.6. Nachspiel (Ohne Musik) -- 5. Schluss -- 6. Anhang. 6.1. Literaturverzeichnis -- 6. Anhang. 6.2. Abbildungen |
| Summary |
In his synthetic stage art known as "stage composition" Wassily Kandinsky (1866-1944) revealed his concept of the Gesamtkunstwerk. This formed the foundation of his world view which saw the artist in a missionary role. In the "stage composition" he experimented with possibilities of portraying the mental realm on the stage and sought an appropriate language of form and color. This study is the first to present a complete interpretation of the four early stage compositions by means of an interdisciplinary body and movement analysis conducted from the perspectives of theatre studies and iconogra |
| Bibliography |
Includes bibliographical references (pages 211-224) |
| Notes |
Print version record |
| Subject |
Kandinsky, Wassily, 1866-1944 -- Dramatic works
|
|
Kandinsky, Wassily, 1866-1944
|
| SUBJECT |
Kandinsky, Wassily, 1866-1944 fast |
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Kandinsky, Wassily 1866-1944 gnd |
| Subject |
Movement, Aesthetics of.
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DRAMA -- Continental European.
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Criticism and interpretation
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Movement, Aesthetics of
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Drama
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Inszenierung
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| Form |
Electronic book
|
| ISBN |
9783110263367 |
|
311026336X |
|
9783119165778 |
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3119165778 |
|
