| Description |
1 online resource (vi, 144 pages) |
| Contents |
Introduction : Generic Shakespeare -- Chapter one : Henry V's body generic : picturing the king -- Chapter two : Much ado about genre : Branagh's screwball Shakespeare -- Chapter three : Swing time : Love's labour's lost and Branagh's Broadway melodies -- Conclusion : Don't call it a comeback : Branagh's As you like it |
| Summary |
Kenneth Branagh is the most important contemporary figure in the production of filmed Shakespeare. His five feature-length Shakespeare films both created and represented the explosion of filmed Shakespeare adaptations that began in the 1990s. This book demonstrates Branagh's appeal to classical film genres in order to meta-narrate for a popular audience the unfamiliar terrain of the Shakespearean original; it examines the debts Branagh owes, stylistically and structurally, to classically-defined generic modes |
| Bibliography |
Includes bibliographical references (pages 131-142) and index |
| Notes |
Print version record |
| Subject |
Branagh, Kenneth -- Criticism and interpretation
|
|
Shakespeare, William, 1564-1616 -- Film adaptations
|
| SUBJECT |
Branagh, Kenneth fast |
|
Shakespeare, William, 1564-1616 fast |
| Subject |
Film, TV & radio.
|
|
Literature & literary studies.
|
|
PERFORMING ARTS -- Reference.
|
| Genre/Form |
Criticism, interpretation, etc.
|
|
Film adaptations
|
| Form |
Electronic book
|
| ISBN |
9781443893381 |
|
1443893382 |
|
