Realising the sacred : Chinua Achebe's Arrow of god -- Dramatising the sacred : Wole Soyinka's "the fourth stage" and Kongi's harvest -- Politicising the sacred : Ngugi wa Thiong'o's The river between -- Sacred realism : Ben Okri's The famished road -- The stalled sublime : J.M. Coetzee's Foe -- Conclusion : the political as tragic effect
Summary
This innovative book provides an original approach to the analysis of the representation of myth, ritual, and 'magic' in African literature. Emphasizing the ambivalent nature of the sacred, it advances work on the religious dimension of canonical African texts and attends to the persistence of pre-colonial cultures in postcolonial spaces