| Description |
1 online resource (199 pages) |
| Series |
Routledge Advances in Film Studies |
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Routledge advances in film studies
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| Contents |
Cover; Half Title; Title Page; Copyright Page; Dedication; Contents; List of Figures; Acknowledgements; Introduction: Youth Films, Identity, and Musical Agency; PART I: She's a Rebel? Girls, Guitars, and Agency; 1 The Girl Can't Have It: Restricted Musical Agency in 10 Things I Hate About You and Love Don't Cost a Thing; 2 Queer Agency and the Reappropriation of the "Technophallus" in All Over Me; 3 Silent Punk and Audible Folk: Musical Sleight-of-Hand in Juno; PART II: Listening to the Other: Cultural Borrowing and Critical Reflection |
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4 Consumption, Authenticity, and Identity Experimentation in Ghost World5 "I didn't move to Bosnia": Critical Cultural Immersion in Save the Last Dance; 6 Cheerleaders, Bullies, and Nerds: Intersections of White Stereotypes and Black Music in Bring It On, Mean Creek, and Napoleon Dynamite; PART III: Unheard Ethnicities: Musical Construction of Ethnic Identity and Agency; 7 'Old World' Ethnicity, Hybrid Identity, and 'New World' Agency in Real Women Have Curves; 8 "Neighbourhood is sure changing, isn't it?": Evolving Traditions and Complex Identities in Quinceañera |
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9 Reimagining the All-American Teenager: Inaudible Ethnicity and Agency from the Margins in Better Luck TomorrowConclusion: The Continuing Relevance of Film Music to Identity and Agency; Index |
| Notes |
Print version record |
| Subject |
Teen films -- United States -- History and criticism
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Youth in motion pictures.
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Motion pictures and music.
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Music theory.
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Motion pictures and music
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Music theory
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Teen films
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Youth in motion pictures
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United States
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
|
| ISBN |
9781317367390 |
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1317367391 |
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