| Description |
1 online resource (xiv, 226 pages) |
| Series |
e-Duke books scholarly collection.
|
| Contents |
Integrating Actor and Audience -- Language, Staging, and ''Affect'': Figurenposition in Richard III -- Engagement and Detachment in Richard II -- Representation and Privileged Knowledge in Hamlet -- Location and Idiom in Othello -- Multiconsciousness in King Lear -- Voice and Multiple Awareness in Macbeth -- Directing Sympathy in Antony and Cleopatra |
| Summary |
Shakespeare's Dramatic Transactions uses conventions of performance criticism-staging and theatrical presentation-to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of "mimesis" and "representation," this book describes how the actor's stage presentation affects the actor's representational role and the ways in which viewers experience Shakespearean tragedy. Michael Mooney draws on the work of East German critic R |
| Bibliography |
Includes bibliographical references (pages 193-216) and index |
| Notes |
Print version record |
| Subject |
Shakespeare, William, 1564-1616 -- Tragedies.
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Shakespeare, William, 1564-1616 -- Dramatic production.
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| SUBJECT |
Shakespeare, William, 1564-1616 fast |
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Shakespeare, William. swd |
| Subject |
Theater audiences -- England -- History -- 16th century
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Theater audiences -- England -- History -- 17th century
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DRAMA -- Shakespeare.
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LITERARY CRITICISM -- Shakespeare.
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Criticism and interpretation
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Theater
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Theater audiences
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Aufführung
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Dramaturgie
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Drama
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England
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| Genre/Form |
History
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| Form |
Electronic book
|
| ISBN |
9780822382836 |
|
0822382830 |
|
9780822310396 |
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0822310392 |
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