Introduction : Audience, race, globalization and South African cinemas after 1994 -- An industry not yet transformed : the state, the private sector, and the ecology of South African cinema after 1994 -- Projecting South Africa for global consumption : myths, stereotypes, and feel-good stories -- Independent filmmaking after 1994 : new directions, no audiences -- "Oh schuks!" Is this the new South African cinema? : genre, stars, stereotypes and popular appeal -- Following the market : the refragmentation of the local film industry -- Conclusion
Summary
"Projecting Nation explores the ways in which national and transnational forces have shaped the representation of race and nation in South African films produced after the transition to a multiracial democracy"-- Provided by publisher
