| Description |
1 online resource (178 pages) |
| Series |
Research in Analytical Psychology and Jungian Studies |
|
Research in analytical psychology and Jungian studies series.
|
| Contents |
Cover; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; Part I The psychological image: imaging and imagination -- a Jungian perspective; Introduction; 1 Jung, image, archetype and complex; 2 Jung, opposites and psychic energy; 3 Jung's psychological types; 4 Jung, sign and symbol; 5 Image, imagery, imagination: a perspective of placement; 6 The autonomous ways of images: dreams and synaesthesia; 6.1 Dreams; 6.2 Synaesthetic imaging; 7 Conclusion: the nonvisual image; Part II Music as image: the encounter of visual and nonvisual in film |
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8 Music as image: an emotive introduction9 Music as image: its placement in film; 9.1 Music and emotional subplacement; 9.2 Volume: relative, internal and external; 10 Music as image: its realities and functions; 10.1 Music as image: some functional observations; 11 Psychological dimensions of the film-music functions; 11.1 The uses of the overlapping music functions; 11.2 Local conditioning through music; 11.3 Time, space and transition; 11.4 Music as effect: encountering 'real' sound; 12 Film music: type, style, original and nonoriginal music; 12.1 Jazz, pop and independent songs |
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13 Film, music, archetype14 When image turns hero; 15 Conclusion: the music-image -- inside and outside film; Part III Close encounters of the musical kind: an analysis of the music-image in three films; Introduction; 16 Taxi Driver; Plot synopsis; Music; Conclusion; 17 Nuit et Brouillard (Night and Fog); About the film; Documentary, facts and visuals; Fog, darkness and music; Conclusion; 18 Eyes Wide Shut; Plot synopsis; Psyche, sexuality, fantasy; Tom and Nicole, Alice and Bill; Kubrick and multiple-reality music; Finale (Conclusion); Bibliography; Filmography; Index |
| Notes |
Print version record |
| Form |
Electronic book
|
| ISBN |
9781315722900 |
|
1315722909 |
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