| Description |
1 online resource (237 pages) |
| Contents |
Intro -- Preface -- Contents -- Part I Introduction -- 1 General Introduction -- 1.1 The Collaborative Authors -- 1.2 Not State of the Art, but Milestones to the Future -- 1.3 Outdated Principles -- 1.3.1 A Total Reengineering of Music -- 1.4 The Book's Architecture of Future Musical Perspectives -- 1.4.1 Part I: Introduction -- 1.4.1.1 Chapter 1: General Introduction -- 1.4.1.2 Chapter 2: Ontology and Oniontology -- 1.4.1.3 Chapter 3: The Basic Functions of Music -- 1.4.1.4 Chapter 4: Historicity in Music -- 1.4.1.5 Chapter 5: Only One Restriction: Quality |
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1.4.2 Part II: Technological Tools -- 1.4.2.1 Chapter 6: Software Tools and Hardware Options -- 1.4.2.2 Chapter 7: New Concepts of Musical Instruments -- 1.4.2.3 Chapter 8: Musical Distribution Channels -- 1.4.2.4 Chapter 9: Big Science in Music -- 1.4.3 Part III: Mathematical Concepts -- 1.4.3.1 Chapter 10: Mathematical Music Theory -- 1.4.3.2 Chapter 11: Serialism: Failure of New Concepts Without Musical Impact -- 1.4.3.3 Chapter 12: Mazzola's Sonata Construction: A Technical Approach and Its Limits -- 1.4.3.4 Chapter 13: Imaginary Time -- 1.4.3.5 Chapter 14: Mathematical Gesture Theory |
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1.4.3.6 Chapter 15: Future Theories (Counterpoint etc.) -- 1.4.4 Part IV: Cultural Extensions -- 1.4.4.1 Chapter 16: A Critique of the Western Concept of Music -- 1.4.4.2 Chapter 17: Improvisation and the Synthesis Project on the Presto Software -- 1.4.4.3 Chapter 18: Art Beyond Music Alone -- 1.4.4.4 Chapter 19: Human and Machine Music -- 1.4.4.5 Chapter 20: Music in Diversifying Cultures -- 1.4.4.6 Chapter 21: Cultural Theories of Gestures -- 1.4.5 Part V: Creative Strategies -- 1.4.5.1 Chapter 22: Recapitulation of Creativity Theory |
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1.4.5.2 Chapter 23: The Specifically Musical Walls Against Creativity -- 1.4.5.3 Chapter 24: Examples of Creative Extensions in Music -- 1.4.5.4 Chapter 25: Performance and Composition -- 1.4.5.5 Chapter 26: Are Aesthetics and Business Antagonists? -- 1.4.6 Part VI: COMMUTE -- 1.4.6.1 Chapter 27: ComMute: Towards a Computational Musical Theory of Everything -- 2 Ontology and Oniontology -- 2.1 Ontology: Where, Why, and How -- 2.2 Oniontology: Facts, Processes, and Gestures -- 2.3 A Short Characterization -- 3 The Basic Functions of Music -- 3.1 Surveys of Basic Functions of Music |
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3.1.1 Theoretical Approaches -- 3.1.2 Empirical Approaches -- 3.1.3 The Comprehensive Empirical Investigations -- 3.2 Music and the Hippocampal Gate Function -- 4 Historicity in Music -- 4.1 The System of Music and Its History -- 4.2 Utopia -- 4.3 Musical Anticipation -- 5 Only One Restriction: Quality -- 5.1 Intellectual Properties in Music -- 5.2 Communication of a Musical Message -- 5.3 Medium -- 5.4 Cultural Factor/Relevance -- 5.5 Quality -- Part II Technological Tools -- 6 Software Tools and Hardware Options -- 6.1 Composition and Sound Synthesis: DAWs -- 6.1.1 Recording |
| Summary |
The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions. Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered. This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production |
| Notes |
6.1.2 Project Managing/General Editing |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Print version record |
| Subject |
Music theory.
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Music.
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User interface design & usability.
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Humanities.
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Dance & other performing arts.
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Applied mathematics.
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Music -- General.
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Computers -- User Interfaces.
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Computers -- Data Processing.
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Performing Arts -- General.
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Mathematics -- Applied.
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Ordenadores -- Datos-Tratamiento
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Música-Teoría
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Music theory
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| Form |
Electronic book
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| Author |
Noer, Jason
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Pang, Yan
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Yao, Shuhui
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Afrisando, Jay
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Rochester, Christopher
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Neace, William, 1989-
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| ISBN |
9783030397098 |
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3030397092 |
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