Description |
1 online resource (135 pages) : illustrations |
Series |
Short cuts ; 46 |
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Short cuts (London, England) ; 46.
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Contents |
A new society -- A new film industry -- The boom -- New ambitions |
Summary |
Annotation New Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including Sopyonje (1993), Peppermint Candy (1999), Oldboy (2003), and The Host (2006) |
Bibliography |
Includes bibliographical references (pages 124-130), filmography (p. 116-123) and index |
Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
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Print version record |
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digitized 2011 HathiTrust Digital Library committed to preserve pda MiAaHDL |
Subject |
Motion pictures -- Korea (South)
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Motion picture industry -- Korea (South)
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Motion pictures -- Censorship -- Korea (South)
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Motion pictures -- Social aspects -- Korea (South)
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ART -- Film & Video.
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PERFORMING ARTS -- Film & Video -- Reference.
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Motion picture industry
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Motion pictures
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Motion pictures -- Censorship
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Motion pictures -- Social aspects
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Film
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Filmwirtschaft
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Film.
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Sydkorea.
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Performing Arts.
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Korea (South)
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Südkorea
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Korea
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Form |
Electronic book
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ISBN |
9780231850124 |
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0231850123 |
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