| Description |
1 online resource (xi, 206 pages) : illustrations |
| Contents |
List of figures -- Contributors -- Introduction -- Part I. Experiences -- 1. Music listening and the perception of time: the LEMI model -- 2. The remembrance of things to be: an approach to memory, repetition, and cyclical structures -- 3. An overview of the psychology of time perception -- 4. The perceptual present and the philosophical puzzle of musical experience -- Part II. Enactments -- 5. Ensemble timing in string quartets -- 6. Midway ambiguities: disorientation and interpretation in the performance of long-duration music -- 7. Live coding as a theatre of agency and a factory of time -- Part III. Meanings -- 8. Comparing temporal fictions in tonality and triadic post-tonalit -- 9. 'Nothing really changes': material processes in and as time in hearmleoþ-gieddunga -- 10. Music, time, and society -- Conclusion: multiplicity, fluidity, fragility -- Bibliography -- Index |
| Summary |
How does music manifest through time and, simultaneously, how does time manifest through music? |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from PDF title page (JSTOR, viewed September 9, 2023) |
| Subject |
Music -- Psychological aspects.
|
|
Music -- Philosophy and aesthetics.
|
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Time.
|
|
time.
|
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MUSIC / Instruction & Study / Composition.
|
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Music -- Philosophy and aesthetics
|
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Music -- Psychological aspects
|
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Time
|
| Form |
Electronic book
|
| Author |
Phillips, Michelle (Michelle Elizabeth), editor.
|
|
Sergeant, Matthew, editor.
|
| ISBN |
1800105819 |
|
9781800105805 |
|
1800105800 |
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9781800105812 |
|
