| Description |
1 online resource (xvii, 255 pages) |
| Series |
Routledge advances in theatre and performance studies |
|
Routledge advances in theatre and performance studies.
|
| Contents |
Dance, performance, media, transfer: sketching notions and problems in the field / Susanne Foellmer -- Non-time of lived experience: colour, action, and dance in Hélio Oiticica's early works / André Lepecki -- Embodying, repeating, and working-through: the artistic practice of Rebecca Davis and Abigail Levine in the context of their re-enactments of Marina Abramovic's performances / Joy Kristin Kalu -- Micro-dramaturgical temporalities of media theatre: on the difference between performative and operative re-enactment / Wolfgang Ernst -- Trans(pos)ition: in the language of the curatorial / Beatrice von Bismarck -- Performative contours / Nicole Haitzinger -- Thumb and index mode: performance, digital art, and the ORLAN Network / Wolf-Dieter Ernst -- Videoed memories and movements, rediscovered and regained: "It's aching like birds" (2001) / Ulrike Hanstein -- The deadness of live opera / Christopher Morris -- The equally-valid image: considerations on Ragnar Kjartansson's art of challenging the hierarchy between attending a performance and relying on its photographic remains / Sandra Umathum -- Dance and building in dialogue: five propositions on the relationship between Trisha Brown's choreography and Diller + Scofidio's architecture / Susan Rosenberg -- On the margins of histories: trans-fusions between document and performance / Gabriele Brandstetter -- "Our method is transmission": the body as document in Christina Ciupke's and Anna Till's Undo, redo and repeat (2014) / Daniela Hahn -- Visible undercurrent, New York Berlin 1980/90-2014. reconsidering histori/es' negotiating the now / Kirsten Maar, Peter Pleyer -- Pictures, texts, sounds, zoo animals' on the materiality of documents / Renate Wöhrer -- Capturing dance: a report on a project in artistic research / Franz Anton Cramer, Sigrid Gareis, Alexandra Hennig -- Unseen: photography as a document of dance history writing / Isa Wortelkamp |
| Summary |
"Performing artists - especially from dance and performance art, as well as opera - are involved to an increasing degree in the transfer between different media, not only in their productions but also the events, materials, and documents that surround them. At the same time, the focus on that which remains has become central to any discussion of performance. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that which 'survives' it. Case studies from a broad range of interdisciplinary scholars address phenomena such as: - the dynamics of transfer between the performing and visual arts - the philosophy and terminologies of transitioning between media - narratives and counternarratives in historical re-creations - the status of chronology and the document in art scholarship This is an essential contribution to a vibrant, multidisciplinary and international field of research emerging at the intersections of performance, visual arts, and media studies"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from digital title page (viewed on January 24, 2019) |
| Subject |
Performing arts archives.
|
|
Arts -- Documentation
|
|
PERFORMING ARTS -- Reference.
|
|
Arts -- Documentation
|
|
Performing arts archives
|
| Form |
Electronic book
|
| Author |
Foellmer, Susanne, editor.
|
|
Schmidt, Maria (Maria Katharina), editor.
|
|
Schmitz, Cornelia, 1981- editor.
|
| LC no. |
2018059873 |
| ISBN |
9781351330206 |
|
1351330209 |
|
9781351330190 |
|
1351330195 |
|
9781351330183 |
|
1351330187 |
|
9780203701324 |
|
0203701321 |
|
