| Description |
1 online resource (226 pages) |
| Contents |
Cover; Title; Copyright; Contents; List of figures; List of musical examples; List of contributors; Introduction; PART 1 Confronting the national; 1 Cosmopolitan musicology; 2 Liszt's national compositions in the year of the Franco-Prussian war; Appendix; 3 The migrant and the nation: Hanns Eisler and German identity; 4 The travelling musician as cosmopolitan: Western performers and composers in mid-nineteenth-century St Petersburg and Moscow; 5 Communist nationalisms, internationalisms, and cosmopolitanisms: The case of the German Democratic Republic; PART 2 Confronting national institutions |
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6 Listening together: Aurality and the everyday in Riga before the Shoah7 Two men averting the gaze from the fatherland: Ilmari Krohn and Armas Launis as cosmopolitan musicologists in early twentieth-century Finland; 8 National phonography in the musical past: Empire, archive, and overlapping musical migrations in Britain; 9 Electroacoustic mythmaking: National grand narratives in electroacoustic music; PART 3 Confronting national stereotypes; 10 Learning music in the social jungle: Young performers' method books in the postwar USA and de-Germanized Finland |
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11 Liberté, Egalité, and Lutherie: Fetishizing Stradivarius in the context of French nationalism12 'Cantor of the enduring human heart': Wagner in the Parisian press, 1933; 13 Territory is the key: A look at the birth of 'national music' in Spain (1799-1803); Index |
| Notes |
Print version record |
| Subject |
Nationalism in music.
|
|
Nationalism in music
|
| Form |
Electronic book
|
| Author |
Mantere, Markus
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Scott, Derek
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| ISBN |
9781351975582 |
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1351975587 |
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