Ch. 1. The rise of the director in the American theatre -- Ch. 2. Ben Teal and the authoritarian perspective of directing -- Ch. 3. David Belasco and the scientific perspective of directing -- Ch. 4. Arthur Hopkins and the neo-romantic perspective of directing -- Ch. 5. George Abbott and the total theatre perspective of directing -- Ch. 6. Elia Kazan and the psychological perspective of directing -- Ch. 7. The five directors
Bibliography
Includes bibliographical references (pages [241]-257) and index