| Description |
1 online resource (279 p.) |
| Contents |
Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Note on Audio Examples -- Notes on Contributors -- Introduction -- PART I: Interpreting early recordings: Cultural, critical, and contextual approaches -- 1. Dactyls and Fire Spirits: Carl Reinecke's written publications on Mozart as a guide to his piano rolls -- 2. Individuality, Corporate Identity and the Development of Wind Playing Style in the Recordings of the BBC Symphony Orchestra and London Philharmonic Orchestra, 1930-1939 |
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3. Expressive Portamento in "Ombra mai fu": An analysis of recordings by cellists, violinists and singers 1906-1925 -- 4. Earthy Singing, Sensuous Voices: Timbre and orthodoxies of beautiful singing in operatic early recordings (1900-1940) -- PART II: Animating the archive: Early recordings in practice-led research -- 5. Understanding Joseph Joachim's Style and Practice: Recordings as a research tool -- 6. Micro-temporal Measurements of Two Early Debussy Recordings as the Foundation for New Music |
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7. Towards a Better Understanding of Ysaÿe's Portamento: A comparative study of recorded and annotated evidence in a practice-based approach -- 8. (Re)constructing Early Recordings: Experimental research as a guide in performance -- PART III: Rethinking theory and analysis: The musical work viewed through early recordings -- 9. From Notation to Stage to Recording in Spanish Zarzuela, 1896-1958 -- 10. The Written and the Sung: Grieg's piano ballade and the performativity of genre -- 11. Early Recorded Structures: Non-organic forms in Brahms's cello sonatas as performed by Feuermann and Casals |
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12. Trust in Early Recordings: Documents, performances, and works -- Index |
| Notes |
Description based upon print version of record |
| Subject |
Sound recordings -- History
|
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Sound recordings
|
| Genre/Form |
Electronic books
|
| Form |
Electronic book
|
| Author |
Stanović, Inja
|
| ISBN |
9781000845105 |
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1000845109 |
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