| Description |
1 online resource (199 p.) |
| Series |
Routledge Advances in Art and Visual Studies |
|
Routledge advances in art and visual studies.
|
| Contents |
Intro -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- Contributors -- Introduction -- Notes -- References -- Part I: Sites and sentients -- 1. Performing with trees as shifting attention -- Practicing in a park -- Repeated visits and respect for the site -- Hanging in a pine tree -- Does this make sense to you, pine? -- Addressing the pine -- Notes -- References -- 2. Nomadic scenography and fictional space-body -- A journey to the periphery of design -- Scenography as bringing-forth -- Connection to the art of walking -- Wandering room and speculative middle |
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Antihumanism and distributed agency -- Place of emptiness and state of lack -- Wandering towards assemblage -- Varpusenlinna -- Päijätsalo, Pulkkilanharju and Kelvenne -- Place of emptiness and scenographic assemblage -- By nomadism towards the rhizome -- Return from the periphery to the centre -- Notes -- References -- 3. Urban spaces between norms and dreams -- City space forming in the crossing of normative and affective practices -- Attachment to a site -- Situational practices in arts -- Art intervening the top-up ruled city space -- Putting dreaming techniques into practice -- Horizons |
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Notes -- References -- 4. Spatial references of home: Moving on the periphery of public space -- Introduction -- First experiential artistic operation -- Second experiential artistic operation -- Third experiential artistic operation -- Fourth experiential artistic operation -- A phenomenon emerges on the fringe of our immediate surroundings -- Walking home -- Rehearsing home -- Gaining home -- Moving home in public space -- A prosthesis of home -- An aesthetic experience on the borders of the public and private -- Wanderlust and the screen -- representing the unreal-real home -- Conclusion |
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Notes -- References -- Part II: Aesthetics and practices -- 5. Photographic parafictions (an aside) -- Placing -- Construction -- Parafiction (a paradox) -- Beside -- Point taken -- Unknown fear -- The peripheral space of photography -- Dissemination in place of a conclusion -- Notes -- References -- 6. Formation of artistic identity: Applying themes of narrative identity development in two artists' life stories -- Narratives of artistic identity formation -- Themes of agency and communion -- Generativity -- The role of chance in becoming an artist -- Conclusion -- Notes -- References |
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7. Temporal perspectives on Arctic peripheries -- Introduction -- Arctic peripheries -- From arctic peripheries to a Mediterranean centre -- The arctic: the global gaze to the north -- Journeying to the centre of the earth -- A deep-time view -- Bjørnøya's deep time exposures -- Tetrapod trackways -- Disrupting temporal structures -- Making impressions along Bjørnøya's coast -- Sailing through an ice field -- Resonances of snow and ice -- Conclusion -- Notes -- References -- 8. We, a peripheral time-space-body: Notes on encounter-investigation, corpo-reality, and the gentleness of stones |
| Summary |
This edited volume breaks new ground for understanding peripheries and peripherality by providing a multidisciplinary cross-exposure through a collection of chapters and visual essays by researchers and artists |
| Notes |
Description based upon print version of record |
|
A flickering landscape |
| Subject |
Separation (Philosophy)
|
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Separation (Philosophy)
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| Form |
Electronic book
|
| Author |
Mäkiranta, Mari
|
|
Tolonen, Jonna
|
| ISBN |
9781003815556 |
|
1003815553 |
|
