| Description |
1 online resource (538 p.) |
| Contents |
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- ACKNOWLEDGEMENTS -- INTRODUCTION -- The Nineteenth Century in Europe -- On the Daguerreotype -- A Lady Photographer who Never Photographs Men -- Annals of My Glass House -- Photography During the July Monarchy 1830-1848 -- The Camera Against the Paris Commune -- Extending the Grand Tour -- Tracing Nadar -- New Visions -- The Avant-Gardes and After -- Germany: The Weimar Republic -- Photomontage -- The Supremacy of the Message -- Dada -- A Hundred Years of Photography -- I Worked with Man Ray |
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The Photographic Conditions of Surrealism -- A Mutable Mirror: Claude Cahun -- The Armed Vision Disarmed -- Radical Formalism from Weapon to Style -- Distant Voices: Fashion and Portraiture in the Studio in the Inter-war Years -- Photography, 1914 -- Exhibitions and Commercial Work -- In Pursuit of Perfection -- Early Years -- Pictures and Stories: Documentary and Reportage in North America -- Life Begins -- Looking at Life -- The Assignment I'll Never Forget -- A Crisis in the Intimate -- One Time, One Place -- The Photo League -- Documentary Photography -- The Politics of Photography |
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The Seige of St Malo -- Star Wars: The Photographer as Polemicist in Vietnam -- History Lessons -- Photography at the Crossroads -- What Shall We Tell the Children? Photography and Its Text (Books) -- Crowned with Thorns: Creative Camera 1965-1978 -- On Photography -- On Photographers -- What Becomes a Legend Most: The Short, Sad Career of Diane Arbus -- Tina Modotti: Letters to Edward Weston -- On Photography -- Re-reading Edward Weston -- Feminism, Photography and Psychoanalysis -- Ansel Adams: The Eloquent Light -- Good Intentions -- Witkin's Others -- The Other Side |
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Time Exposure: The Photographs of Patrick Faigenbaum -- Cindy Sherman: Burning Down the House -- Postmodernisms and the Politics of Looking -- Winning the Game When the Rules Have Been Changed: Art Photography and Postmodernism -- Two Types of Photography Criticism Located in Relation to Lynn Silverman's Series -- Of Mother Nature and Marlboro Men: An Inquiry into the Cultural Meanings of Landscape Photography -- Dykes in Context: Some Problems in Minority Representation -- Dialogue with Spectatorship: Barbara Kruger and Victor Burgin -- Between Frames -- The Pleasure of the Phototext |
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Interview: Fetishism of Black-and-White and the Vulgarity of Colour -- Decolonising the Image -- Partial Recall -- The Unveiled: Algerian Women -- Through Indian Eyes -- Essential Differences, Photographs of Mexican Women -- A Strategy of Appearances -- The Australian Bicentenary -- Showing Our Faces -- A Century of Black Women Photographed -- Memories and Fictions -- Gateway to a Labyrinth -- Isak Dinesen and Photo/Graphic Recollection -- Remembrance -- NOTES -- ADDITIONAL NOTES ON THE CONTRIBUTORS -- COPYRIGHTS AND PERMISSIONS |
| Notes |
Description based upon print version of record |
| Form |
Electronic book
|
| Author |
Williams, Val
|
| ISBN |
9781000321265 |
|
1000321266 |
|
