Introduction : modernism and the information-propaganda matrix -- Ch. 1. From Conrad to Hitchcock : modernism, film, and the art of propaganda -- Ch. 2. The Woolfs, picture postcards, and the propaganda of everyday life -- Ch. 3. Impressionism and propaganda : Ford's Wellington House books and The good soldier -- Ch. 4. Joyce and the limits of political propaganda -- Ch. 5. From the thirties to World War II : negotiating modernism and propaganda in Hitchcock and Welles