Introduction -- State control of Iranian cinema : the shifting 'red lines' -- 'Social films' -- 'Women's films' -- Transnational circulation and national perceptions : art films in the Iranian context -- Conclusion
Summary
Iran has undergone considerable social and political upheaval since the revolution and this has been reflected in its cinema. Focusing on the practices of regulation, production and reception of films in Iran, this book explores the politics of Iranian cinema in its post-revolutionary context
Notes
Based on the author's thesis (doctoral)--School of Oriental and African Studies, 2006
Bibliography
Filmography: pages 182-184
Includes bibliographical references (pages 165-181) and index
